Tuesday, August 31, 2010

Teakdeck Live/ Register

lunacomplottista: Did Man Land on the Moon? James J. Cranny (UPD 20100901)

di Paolo Attivissimo. L'articolo è stato aggiornato dopo la pubblicazione iniziale.

Molte fonti in Rete citano un libro, Did Man Land on the Moon? di James J. Cranny, affermando che si tratta della prima pubblicazione lunacomplottista. Ne parla per esempio la Simple English Wikipedia (ma non la Wikipedia in inglese standard), dicendo che "il primo libro sull'argomento... fu pubblicato in Texas dal matematico James J. Cranny nel 1970" . La fonte bibliografica spesso citata è Aus.bookmaps.org , che precisa che il Johnson City was the place of publication but nothing else.

James J. Cranny is quoted by sites like lunacomplottisti Moonhoax.us . His book is listed on Amazon , but without any details, except for a code and date fictional ASIN B000KGHGTW January 1, 0001; is not available for purchase. Amazon indicates Cranny as the author of two other books: Silver and Silver Standard Now! and The Rise of Hidden Government . Even this is not available and is not provided any details, except a statement that The Rise of Hidden Government was un'autopubblicazione ( self-published in 1973). Cranny also appears to be the editor of Did Man Land on the Moon?

the text of the book seems to be no trace. Specialized sites such as Bookfinder.com, Usedbooksearch.co.uk, Alibris.com, Abebooks.com, Biblio.com, Marelibri.com, Worldcat.org, Addall.com, Vialibri.net have not in the catalog. Google Books also has nothing about it. The only trace of the book that I found so far is a brief excerpt of a video Russian lunacomplottista 1997, А. Гордон Американцы НЕ БЫЛИ на Луне , whose English title is The Americans Have not Been On The Moon , A. Gordon, available in streaming presso Rutube.ru .

In questo video, a 2:50 circa, viene mostrata brevemente la copertina del libro di Cranny (nell'inquadratura presentata all'inizio di questo articolo). Si nota che si tratta di una produzione decisamente amatoriale, a partire dalla povertà della copertina; anche l'uso delle virgolette per racchiudere il titolo è molto eloquente.

È forse per questo che il libro non è reperibile. Quali fossero le argomentazioni di James J. Cranny resta quindi un mistero, almeno finché non verrà ritrovato il testo della sua opera.


2010/09/01


Un lettore, Stefano, ha suggerito di indagare sull'eventuale esistenza in vita Cranny by the Intelius.com . Said and done: Intelius fee provided address and telephone number of a James J. Cranny that would still lives in Johnson City and have 88 years. I will try to contact him to see if he is the author of the book and possibly do with sending a copy for my archives.

The comments below also indicate a James Joseph Cranny, who is buried (or have booked a grave) at the Masonic cemetery of Johnson City, which is a country with about 1200 inhabitants . Cranny is a James Joseph died on 15 September 1992, according to data Texas Department of Health reported to the Blanco County where Johnson City is located. In addition There is a James Joseph Cranny on page 615 in the 1951 Yearbook the University of Texas at Austin. It is possible, but unconfirmed, that this is the same person.

Monday, August 30, 2010

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designs misleading

Paul Attivissimo

Some of the most common myths of lunar conspiracy theories are due at least in part, paradoxically, to NASA itself. The U.S. space agency, in fact, he published many illustrations dissemination to the public to anticipate the conduct of missions, but took some artistic license to make interesting pictures. These licenses, which introduced in detail virtually non-existent or different, and many were impressed inevitably perplessità quando non furono riscontrate nelle immagini effettive.

Per esempio, il disegno classificato come S69-39011 e intitolato Artists concept of Apollo 11 Lunar Module descending to surface of moon (Concezione artistica del Modulo Lunare dell'Apollo 11 che scende verso la superficie della Luna) , tuttora archiviato per esempio presso Science.ksc.nasa.gov , contiene una notevole serie di errori.


Innanzi tutto, sono visibili le stelle: in realtà non si vedrebbero, perché sono troppo fioche rispetto alla luminosità della superficie lunare illuminata a giorno. Poi c'è il bagliore del getto del motore di discesa, che in realtà there was: hypergolic propellants used, in fact, did not produce a flame or light colored.

The landscape is wrong: the area of \u200b\u200bthe Sea of \u200b\u200bTranquility, where Apollo 11 lunar landing has been specified had no mountains like the ones shown. The landing site was chosen because it is extremely flat and therefore easier to deal with this first attempt.

Even the lighting of the car, visible through the windows, it's definitely too much: it would not be visible from that far more intense (in days) of the lunar surface.

At a more technical level, the design is wrong because it shows a probe contact (the vertical bars in the legs) even on the leg on which this is the lineup (the middle leg in the drawing). The auction was originally scheduled on all four legs of the lunar module, but it was decided to remove the one on the leg with a bend in the lineup because during the contact with the lunar soil could take positions or at least dangerous obstacle to the passage the astronauts.

Almost all of these details wrong have a very specific purpose: to make the design interesting and understandable. If the artist had not designed the flame of the engine, for example, many would not understand how he was the lunar module to be suspended in a vacuum. Without the cabin lighting, would not have been possible to show the astronauts and to figure out where to look. The stars and the mountains are used to give detail and depth to the illustration.

Another example is the image S69-39335 , always referred to the Apollo 11 mission, which use many of the same errors: visible flame of the engine, walk-lit mountains, visible stars. Here also, there is no thermal coating film of the golden stage of descent.


lunacomplottisti Unfortunately, many were still at the design and expect reality to conform to art.

Friday, August 20, 2010

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Thursday, August 19, 2010

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NASA Apollo 15, because the flag is moving without being touched?

Paul Attivissimo, with the contribution of Ka9q.net . The article was updated after initial publication.

In television footage of the second lunar excursion Dave Scott and Jim Irwin during the Apollo 15 mission, there is a phenomenon that, according to supporters of the thesis of staging shows that the images were shown in a movie set, because the American flag planted in the moon moves in spite of Scott, who has gone before, has not touched. The phenomenon is documented by videos like this, which takes place at about 2:35 from the beginning.


The impression you get from this video footage is that the flag has been hit by the blast due to the passage of the astronaut in its vicinity. But there is no atmosphere on the moon, and then (according to lunacomplottisti) this phenomenon shows that the shots were not made on the ground selenic but in an environment where there was air, revealing the fiction.


The thesis of the flag that flies or moves is often supported by reference to other pictures, but where it is clear that the visual effect of the flapping is due to the fact that the cloth was supported by a horizontal bar or to the fact that the astronauts were moving l'asta per conficcarla. Qui, invece, la tesi sembra più robusta: la bandiera è già stata piantata e non sembra esserci alcun contatto nell'istante in cui il suo angolo inferiore destro inizia ad oscillare leggermente. Il caso è intrigante e merita quindi un approfondimento. Cominciamo dai fatti.

L'evento avviene a 148 ore, 57 minuti e 15 secondi dopo il lancio dalla Terra, secondo la cronologia della missione, ed è discusso dall'Apollo Lunar Surface Journal in questa pagina , nella quale si fanno varie ipotesi sulla sua causa.

Scott potrebbe aver sfiorato l'angolo della bandiera con il proprio braccio sinistro o calciato della sabbia lunare che ha colpito il drappo o urtato l'asta. In alternativa, i suoi passi potrebbero aver prodotto vibrazioni nel terreno che si sono trasmesse all'asta oppure la sua tuta poteva aver accumulato una carica elettrostatica che ha attratto il materiale del drappo. Inoltre lo scarico gassoso degli apparati di regolazione della temperatura della tuta, presenti nello zaino della tuta, potrebbe aver raggiunto la bandiera. Secondo l'ALSJ, l'ipotesi più plausibile è quella del contatto, nonostante le apparenze.

La scena è documentata non solo dal video, ma anche da una serie di fotografie in bianco e nero scattate da Irwin negli istanti che precedono il movimento del drappo. Le foto sono classificate con le sigle AS15-92-12447 , 12448 , 12449 , 12450 and 12451.

The most significant of these images is 12447, which depicts the salute to the flag of Jim Irwin and shows the camera position with respect to the flag. The camera (shown below the arrow) was mounted on the Rover, the car power used during some of Apollo lunar missions (those from 15 onwards), and was directly controlled by radio from Earth.


Based on these facts we can analyze the situation. 12447

It can be noted that the camera was not far from the flag: using the width of the Rover (183 cm ) as a reference and with the inevitable approximate due to perspective, we can estimate that the distance from the camera of the flagpole was equal to about two widths of the Rover, and about 4 meters.


By comparing this image with the corresponding moment of filming, we see that the flagpole is framed for his full height, that the documentation appears to be about 2.4 m before being planted to nine inches high, and above it there is still room in the frame.


The zoom lens of the camera was then adjusted to a position rather wide, which exaggerates the perspective: a small change in distance results in a significant difference in apparent size. This can be seen, for example, by comparing one frame of that video sequence in which an astronaut is close to the flag, including the flag and the camera, and a frame that is on the opposite side of the flag with respect to the camera.


12,447 can be drawn on the picture the top and bottom margins of the frame and the optical axis of recovery.


If you now move the figure of the astronaut (taken from 12,449 photos) in a position where it would be in contact with the flag and the nearest the camera, we get this result:


In other words, and always with due caution arising dall'approximation, if the astronaut had been in a position at a distance such as to knock the bottom corner banner, the camera would broadly framed from the top of the helmet to the knee. It is in fact a result very similar to that observed in the frames of the passage of Scott at the time charged, bearing in mind that the camera is raised slightly from the moment of greeting.


It is therefore plausible (but unproven) that because of perspective distortion wide-angle lens produced Scott, when passing in front of the camera just before the flag is moving, the flag is closer than it looks visually, and then he touched the left arm.

This hypothesis is supported by the fact that only the lower right corner of the flag moves, the rest of the cloth does not move. The same applies to the horizontal bar from which it rises and the vertical shaft. The hypothesis of lunacomplottista

blast, however, is belied by a simple argument: covering the complete video sequence (available for example in the Spacecraft Films DVD) note that the two astronauts will spend more time close the flag. If their passage was enough to create a blast in the offending scene, it would have been in other times of the video in which pass close to the flag. But in other passages, during the same uninterrupted sequence (for example at 2:10 or so), the cloth does not move at all.

Moreover, as noted the comments below, the full sequence (which - it should be noted - it is one continuous shot) you notice that the lunar dust kicked by astronauts falls to the ground without forming spirals, with the characteristic behavior of the regolith in the absence of air, already seen about the traces of the rover. This is another indication that images were taken in a vacuum and not in a set containing air.

This case, although it is not resolved beyond all doubt, highlights the fundamental error of lunacomplottismo and many other conspiracy theories: the idea that one tiny detail unusual in some way offsets disappear and make the entire mountain of facts and documents confirming the reality of the events that the plot is so determined to deny, and that if a phenomenon has a range of possible explanations for perfectly sensible and consistent, for some strange reason it is necessary to embrace only the foolish ignore that fits preconceived thesis .

Sunday, August 15, 2010

What To Invest 1000 Dollars

Moonscape, new trailer

Here is the updated trailer Moonscape : for more information read here.


I prepared a version in English . Enjoy.

Sunday, August 8, 2010

Why Propane Needs A Regulator

The altercation Orlando

Paul Attivissimo

Anyone who has followed the first moon landing live on television RAI recalls the famous spat between the two reporters, Tito Stagno and Ruggero Orlando, when it really happened on contact with the lunar soil. An argument which covered historical phrases communications from the Moon.

I recently spoke of the matter with Tin (Orlando is no longer with us) and this will report shortly. Intanto vorrei proporvi un video che ricostruisce le comunicazioni degli astronauti coperte dalla discussione fra Stagno e Orlando, utilizzando l'audio originale ricevuto direttamente dalla Luna presso la stazione di ascolto australiana di Honeysuckle Creek, concessomi gentilmente da Colin Mackellar.


Se lo ascoltate in stereofonia, sul canale destro trovate l'audio diretto dalla Luna, mentre sul sinistro potete sentire l'audio della RAI. Se seguite con molta attenzione, sentite che Stagno ha in cuffia sia l'audio diretto degli astronauti (che a lui arriva con qualche istante di anticipo rispetto alla diffusione in studio), sia la voce Italian to another person, presumably one of the translators who were studying in the cabins that can be seen behind Pond. The entry labeled

CAPCOM in the subtitles is that of Charlie Duke, who spoke directly to Houston with the astronauts reporting their data telemetry. His "Sixty Seconds" warns the two astronauts that the fuel is running out: there should be a minute before deciding whether to land or to cancel the landing attempt and climb. A dramatic moment that was completely covered in the audio original RAI, the debate between two journalists. The same applies to the call even more imperative "Thirty seconds," and for Duke Armstrong the historic phrase "Houston, Tranquility Base here. The Eagle Has Landed" finally listenable as it should.

There is also another gem: the duck by Charlie Duke, overwhelmed with emotion that responds to Armstrong saying "Roger, Twan ..." , then stops and corrects himself: "Tranquility" . This error is usually cut in the documentary novel The Adventure of the first moon landing.

RAI images are also synchronized to the filming of the landing, carried out by a 16mm Maurer camera mounted on the lunar module. The recovery was not available during the live broadcast.

put it all together, These resources give a new vision of the crucial moment of the mission and allow to give a definitive answer to a frequently asked question of anyone who has seen the direct-river, pond or Orlando was right?

The facts are these: the legendary "He touched him!" Tin was given about 55 seconds first ad "Contact light" with which Aldrin pointed out that at least one of the long sensor placed under the feet of the vehicle had hit the lunar surface, on which would rest a few seconds later. Pond also spoke during a break in communications from the Moon, so there was nothing to misunderstand. Ruggero Orlando, however, announced the contact ten seconds after the words of Aldrin. I'm sorry for Tito Stagno, but Orlando was right.

must be said that the sound quality through headphones was that Pond was bad, as you can hear: many syllables are truncated because the astronauts used the VOX - voice sensor - to open their microphones automatically. Moreover, the jargon is really tight astronautical excited at this time, requiring a specific article of explanation, despite the subtitles in the video that I prepared based on the transcript made in the cold from the archives of 'Apollo Lunar Surface Journal .

Monday, August 2, 2010

A Farm Lessons Online Comic

Tin-best, two worlds / One health, two worlds

Buzz Aldrin salutes the flag on the moon, July 1969. Photo of Neil Armstrong.
Buzz Aldrin Salutes the flag on the Moon, July 1969. Photo by Neil Armstrong.
Buzz Aldrin salutes the flag on Earth, Avezzano (AQ), July 2010. Photo by Andrea Tedeschi .
Buzz Aldrin Salutes the flag on Earth, in Avezzano (AQ), July 2010. Photo by Andrea Germans.
Forty years ago, this man was nearly four hundred thousand kilometers from Earth, in its awkward and cumbersome space suit, and waved the flag planted in lunar soil. A few days ago, thanks to the extraordinary efforts of the organizers of the festival The Astronomical Sky Argol , Aldrin has repeated that memorable farewell in front of a exact 1:1 scale replica of the flag moon.

Forty-one years ago, this man Was a quarter of a million miles from Earth, in His awkward and clumsy spacesuit, saluting the flag planted in the lunar soil. A few days ago, thanks to the extraordinary effort of the organizers of the The Sky Argol astronomy festival, Aldrin That memorable repeated health in front of a full-scale replica of the Moon flag.